Cypress Furniture for Leisure Living
This catalog from the Cypress Furniture Factory in Miami captures a moment when outdoor living was becoming a defined part of American life. The focus here isn’t just on furniture, but on creating a complete “leisure” environment—patios, poolsides, and backyards treated as extensions of the home rather than afterthoughts.
What stands out immediately is the material. The catalog leans heavily on Tidewater red cypress, described as “the wood eternal,” valued for its resistance to rot, insects, and weather . That wasn’t just marketing. In a humid climate like Florida, durability wasn’t optional, and cypress offered a practical solution that also carried a certain regional identity. This is furniture designed to stay outside.
The designs themselves are simple and purposeful. Chaise lounges dominate the catalog, in multiple variations—adjustable, wheeled, single, and double. Pieces like the “Relaxon” and “Convertible” chaises emphasize flexibility, with multiple positions and easy movement, reflecting how people were actually using these spaces: reading, sunbathing, entertaining, and relaxing for long periods.
There’s also a clear effort to build complete settings rather than individual pieces. Umbrella tables, barbecue tables, tea wagons, and paired seating units all appear throughout. Sets like the “Siesta” and “Din-E-Cue” combine tables and chairs into coordinated outdoor dining arrangements, reinforcing the idea of the patio as an outdoor room rather than just a place to sit.
Stylistically, the furniture sits somewhere between rustic and modern. You see sawbuck forms, Adirondack influences, and straightforward slat construction, but also cleaner lines and occasional experiments like cypress combined with chrome. It’s not high design in the modernist sense, but it reflects the same broader shift—simplifying form, emphasizing function, and adapting to new lifestyles.
The catalog also hints at its market. References to hotels, motels, clubs, and resort use appear alongside residential settings. This wasn’t just backyard furniture; it was part of a growing leisure economy, especially in places like Florida where tourism and outdoor living were central.
Overall, this is a practical catalog. It’s about durability, usability, and comfort more than design statements. But taken together, it documents a larger transition—when outdoor space became something to furnish deliberately, and when materials, construction, and layout were all reconsidered to support that shift.